AKA Do They Have To Be About Twins?
Also AKA One – Sarah Crossan
This year’s YA Book Prize winner, One, is by Sarah Crossan, and is a widely-acclaimed bestseller which follows the lives of conjoined twins Grace and Tippi. Written in free verse, the whole book is a series of poems which describe the lives of the two girls as they venture out of their home-schooled bubble and into the (frankly, terrifying) world of the American high school.
Grace and Tippi are twins – conjoined twins.
And their lives are about to change.
No longer able to afford homeschooling, they must venture into the world – a world of stares, sneers and cruelty. Will they find more than that at school? Can they find real friends? And what about love?
But what neither Grace or Tippi realises is that a heart-wrenching decision lies ahead. A decision that could tear them apart. One that will change their lives even more than they ever imagined…
From Carnegie Medal shortlisted author Sarah Crossan, this moving and beautifully crafted novel about identity, sisterhood and love ultimately asks one question: what does it mean to want and have a soulmate?
Funnily enough, One isn’t the first free verse book I’ve ever read. It’s actually the second. And that other free verse book I read – Identical, by Ellen Hopkins – was also about twins. Although admittedly, they were identical, not conjoined, twins. Even still. Do all free verse books have to be about twins?
I didn’t really enjoy One. Having thought about it for a few days, I’ve come to the conclusion that it’s not a style which works for me. I think the story, characterisation, etc of One would have been much more effective, for me personally, if it had been written in prose, not free verse. But I think that does actually just mean that I’m judgemental. I also didn’t like Identical.
Beyond the free verse element of One, there was one other big thing I didn’t like – specifically, that I found the plot predictable. I saw from the beginning where it was going, and therefore went through the whole book with the expectation that this would happen, which rather marred my enjoyment of the story as it developed. I was always waiting for the plot to get to where I assumed (correctly) it was going. Again, that might be my fault.
Even with my dislike of free verse, and my disdain for the predictability of the story, it packed a powerful punch. Perhaps it was because it was about sisters. I’ve mentioned several times that I’m close to my sisters, enjoy reading books about sisters, and am affected badly by emotional books about sisters (The Alphabet Sisters, which I have read several times, never fails to make me bawl ugly tears). For that reason, One did manage to still pack an emotional thrust that left me crying as my boyfriend looked at me in bemusement.
Even with that, though, this wasn’t a book that I’d go back to. It has won numerous awards and accolades, but it absolutely didn’t do it for me. I do think, though, that it was mostly down to my own personal reactions, and it’s still a very powerful book.